SEATTLE REPERTOIRE TV
“I always leave a person better than I found them” – It reminded me of the TV show Dollhouse.I liked that the puppeteers were shortly showcased during one of the final chase scenes where they were visible on-stage without the backdrop obscuring them. The audience actually rarely saw the actual puppets but only their shadows. The puppetry was more shadow effects on a white backdrop against bright projected lights. But again, this was not your typical furry Muppets or Avenue Q variety. Puppetry: As I mentioned in my Wolf Play review.I know Asians sometimes bleach their hair blonde (I’m guilty of this) because of colonialism and colorism. While “Black Hair” was referring to African American hair, I feel like it could also be applied to other races as well. “Black Hair” Song: The powerful “Black Hair” song was my favorite number in this musical because of the message to cherish the cards you were dealt in life because it could always be worse.The multicolored light show during certain numbers was particularly dazzling. The neon trim lighting accented the stage nicely. Neon Trim Lighting: I always love modern clean lines in design.Other Rave(s) Not Mentioned in Elevator Thoughts Length (Including Any Intermission): 1.5 hours Rating Compared to Other Shows with the Same Production Value: Would I See It Again 3 Years from Now: Probably not but it was good Was This the First Time I Attended a Production of this Show: Yes Recommendation: See it, especially if you enjoy Justin Huertas’ works Live Band/Orchestra: Yes, consisting of only two people. Several or Few Settings/Locations: Several
Reviewed Performance: 5/10/23 – Opening Night Inspired by the fantasy and folklore of Seattle’s landmarks, playwright and composer Justin Huertas ( Lizard Boy) conjures up fresh Pacific Northwest magic through a riveting electronic/pop score and multi-media landscape in this world-premiere musical. But when a mysterious stranger offers her a chance to level up, Lydia embarks on a thrilling journey of self-discovery to take back what is hers. As a Black woman on the brink of breaking through the music industry, her dreams of being a record producer feel just out of her reach. Synopsis from the Theatre: Lydia is struggling to find her voice. Origin story of the Fremont troll w/ a timeless message to love yourself and to cherish the life you live. Elevator Thoughts (aka Tweet): Lydia and the Troll musical by Justin Huertas at Seattle Repertory Theatre.
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